Setting Mel Gibson on a sure path to superstardom, this highly acclaimed "crazy collide-o-scope"(Newsweek) of highway mayhem "cinematically defined the postapocalyptic landscape" (TV Guide). Featuring eye-popping stunts that are "electrifying and very convincing" (Variety) and "an authentically nihilistic spirit" (The Village Voice), Mad Max is "pure cinematic poetry" (Time). In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them. But they underestimate one officer: Max Rockatansky (Gibson). And when the bikers brutalize Max's best friend and family, they send him into a mad frenzy that leaves him with only one thing left in the world to live forrevenge!
-The Road Warrior is already a classic, sans condescending genre distinctions like "sci-fi" or "action." But the story of Mel Gibson's stately antihero begins in Mad Max, George Miller's low-budget debut in which Max is a "Bronze" (cop) in an unspecified postapocalyptic future with a buddy-partner and family. But unlike most films set in the devastated future, Mad Max is especially notable because it is poised between our industrialized world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overamped cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society, they take everything dear to Max, who will exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films.
Source: Alan E. Rapp (Amazon.com)
